Online Exclusive fiction from Dustin Hoffman.

Take this cryptic correspondence as – a sound bite skirts my wonder.

When she is young, the name “Mary” is very common. If Social Security records for the ranked popularity of baby names in any given year went back to the first century, “Mary” would be number one on the list for hundreds of years. Sometimes, when she is meeting a person for the first time, they ask her if she likes her name. Sure, she replies. It turns out they usually have an aunt or a great-aunt, a teacher or a boss, named Mary of whom they are not very fond.

Could I not want / the justice and / the sentence and / the jail of a goal?

"Do you ever feel like/ you're just living/ the same day / over/ and over / and over again."

Online Exclusives non-fiction from Darcy Jay Gagnon.

Call it oxymoron, where to shed is to gain worship, / polish escaping into the hidden temples of my teeth.

No one said much / just / this makes virgins, that // makes pollution.

You love to see it—discrete individual units realizing they are not / at all that. Like a grass field caught in wind, finally understanding / its purpose, I breathe with the sound of God breathing.

After Graham stopped returning my texts, I started leaving little parts of myself all over the Internet. In his early twenties, especially, Graham left doorways to himself everywhere—not just the normal abandoned social portals of MySpace and Friendster, but also a blog with a cursor shaped like a hot pink mouth. When I clicked on an entry, the disembodied lips smacked. Sickened, I kept clicking as the computerized sucking noise pulled me into page after page of journal entries, photos, digital check-ins at bars where he’d time-stamped his arrival.

Shelly is fifteen years old, and she is alive today. Shelly is only sometimes alive. Sometimes she is dead.

But come on, even Eve ate a dead baby dino. / Adam was still munching on his apples like a dweeb.

I had not yet labeled myself but felt the pull of men irresistible. I was drawn to a boy and examined every tether but the core one, that I wanted him to feel the same for me and I knew he didn’t. I spent the entirety of that year mourning our potential. I was prepared for Elegy Month.

we can all agree / no jobs for clouds / unconscious drifters

he is remembered // like a stoic painting. it looms over / his organ, static from years // untouched, nesting nutcracker
 / and country hymnal.

though I do // look pretty good / slung over // where a pair // of hot pink / fuzzy dice // used to hang—

How the distances collapse when / moving at speed, several instances of relapse folded until one prolonged scene, an / abrupt start from sleep.

Online Exclusive fiction from Jessica Lee Richardson.

As long as I have been old enough to understand what the middle class is, it has been described as “shrinking.”

In early May we are driving south from Phoenix on Interstate 10. The land in every direction is sparsely vegetated—saguaro cactus, organ pipe cholla, barrel cactus, and mesquite. Dust blows across this big sandbox. The sky is hazy. To the east, in the distance, are what appear to be massive heaps of dirt left over from some grand construction project gone wrong. But this is a trick of light.

I get a haircut and scrub the stove, feeling unpeeled / from the old terror.

clean of me, my rod, / creel, sturdy / shoes, jack knife.

On my swallowed stone, I painted the weather inside a zebra stripe.

only the two rocks holding each other know / where they find balance.

As they headed back into town in Smiley’s pickup, she could only feel like they had all done something wrong, something to be ashamed of. Something they could never talk about again.

I don't want to go home. / Crumbled bricks, pamphlets // stained with salt. Mother's / street, black-tarred, whistling, // whistling.

It means to want so badly. / How close win is to want is the distance / between his fast ball & her face.

I love expectation // beauty subsumed